Category: Law School Notes

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(2002) 63 DRJ 558

Facts:  Mr. Amar Nath Sehgal is the world-renowned sculpturist and has been conferred with several awards for his beautiful creations and contribution to the Indian heritage. In the year 1957, the Government of India commissioned Mr. Sehgal for the creating bronze mural for the most prominent International Convention Hall in the Capital of the Country. The Bronze sculpture of about 140ft. span and 40ft. sweep took five years to complete and was placed on the wall of the Lobby in the Convention hall. This embellishment on a national architecture became a part of the Indian art heritage.
In the year 1979 when government pulled down the sculpture from the walls of ‘Vigyan Bhawan’ and dumped it in the storeroom. When Mr. Sehgal came to know of this ill treatment, he made representations to the government authorities for restoration of the mural. Unfortunately, all his pleas fell on deaf ears. Aggrieved by the apathy of the government officials, Mr. Seghal filed a petition in the Delhi High Court for recognition and enforcement of his rights on the mural.

Laws involved:Section 57 of the Copyright Act.

Issues:
1) Whether the plaintiff (Amar nath Sehgal) is entitled to the special rights u/s 57 of the Copyright Act even after the copyrights are vested in the interest of the defendants?
2) Whether there are any damages in respect of any distortion, mutilation, modification or other act in relation to the said work, which is done before the expiration of the term of copyright?

Analysis:  The work of art or any work which have some kind of creativity involved also have some kind of sentiments or the sense of ownership attached to it. These moral values should always be respected. Special rights u/s 57 of the Copyright Act are very important laws, which give the rights to the author or any person who makes anything to claim the damages against any kind of distortion, mutilation or modification without the consent of the author. This is the landmark case in which the moral rights were considered.
The judgment states that these rights are independent of the author’s copyright. They exist even after the assignment of the copyright, either wholly or partially. Secondly, The court stated that the defendants moved the mural without the prior permission of the author and in addition to it the mural was also damaged from the corners. The mural was moved away from the public view, which clearly shows that it was prejudicial to the author’s honor or reputation.

Judgment:  The Court held that the mural whatever be its form today is too precious to be reduced to scrap and languish in the warehouse of the Government of India. It is only Mr. Sehgal who has the right to recreate his work and therefore has the right to receive the broken down mural. He also has the right to be compensated for the loss of reputation, honor and mental injury due to the offending acts of UOI”.
The Court passed mandatory injunction against the UOI directing it to return the mural to Mr. Sehgal within two weeks from the date of judgment. Court passed a declaration transferring all the rights over the mural from UOI to Mr. Sehgal and an absolute right to recreate the mural and sell the same. The Court also granted damages to the tune of Rs.5 lacs and cost of suit to Mr. Sehgal against UOI.

Conclusion:  The Court favored the plaintiff and stated that the defendants are liable to pay the damages and also to return the mural to its author. The Court also stated that prior permission should always be taken before taking any such action.

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Citation –  AIR 1977 SC 1443

Note – Please consult the Copyright (Amendment) Act, 2012 to check the current position of law.

IPRS –>	Producer –>	Composers/Lyricist
Society charging fees for public performances of musical works.	Objected claiming that they are the first authors and they shouldn’t pay any fees	The original composers do not get right to their work.

Facts:

• IPRS was a company incorporated for charging fees for granting licenses for performance in public of all existing and future Indian Musical works.
• The Producers Association objected to this under section 34 of the Copyrights act claiming that the producers being the authors and first owners of the copyright in the cinematographic films.
• The Cinematograph Exhibitors Association of India also objected to this. They averred that Copyright in a cinematographic film which vested in the producers meant copyright in the entirety of the film including the musical work incorporated in the soundtrack of the film and the right to perform the work in the public.

Issue:   Whether the composer of lyric or musical work retains the copyright in the lyrics or the music work after he has allowed the producer to use that lyric or music in the cinematographic film?

Procedural History:   Copyright Board held that the composers of lyrics and music retained the copyright in their musical works incorporated in the soundtrack of cinematographic films provided such lyrical or musical works were printed or written and that they could assign the performing right in public to the IPRS. It also held that IPRS could collect fees and charge royalties in respect of those films. High Court reversed the order. Hence this appeal by IPRS.

Holding:   The Court held in the favour of the producers ordering that they are the first owners of the cinematographic film. And since there is a contract of service and the film is made on the direction of the producers, they will have right over the soundtrack and IPRS can’t charge any fees.

Analysis:

• A composer who composes a lyric or music for the first time for a valuable consideration for a cinematographic film does not acquire any copyright. The owner of the film at whose instance the composition is made becomes the first owner of the copyright in the composition.
• The composer can claim a copyright in his work only if there is an express agreement between him and the owner of the cinematographic film reserving his copyright.
• Though Section 18 of the Act confers power to make a contract of assignment, the power can be exercised only when there is an existing or future right to be assigned and that in the circumstances of the present case, assignment, if any, of the copyright in any future work, is of no effect.

Rule: The rights of the music composer or lyricist can be defeated by the producer of a cinematographic film in the manner laid down in provisos (b) and (c) of Section 17 of the Act.

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Citation – [1900] AC 539

Facts: Earl of Roseberry gave public speeches on five occasions. Reporters from The Times and other newspapers attended them. The reporters from The Times had taken down shorthand notes of the speeches and later the corrected, revised and punctuated their reports for publication in Times. Reporters were employed under the terms that the copyright in all the materials composed by them for The Times belonged to the proprietors. D published a book on Earl’s speeches which substantially included reports published in The Times. Lord Roseberry did not claim any copyright. The proprietors, being the copyright holder brought an action for breach of copyright and also sought for injunction, damages and costs.

Procedural History:
§ The case was reported to the Chancery Division where North J. held that the reporters have copyright in the report and not the speech and entitled them for injunction against D. D appealed.
§ The Court of Appeal (CoA) held that a report is not an actual composition and there is no copyright and allowed D’s appeal.
§ P appealed in House of Lords (HoL), the writing court. The writing court reversed the judgment of CoA and restored North J.’s decision and granted a perpetual injunction.

Issue: Whether the reporters of the speech could be considered “authors” under the terms of the Copyright Act?

Holding:P won. It was held that a person who makes notes of a speech delivered in public, transcribes them, and publishes in a newspaper a verbatim report of the speech, is the “author” of the report within the meaning of the Copyright Act 1842, is entitled to the copyright in the report and can assign the copyright.

Rationale: Copyright existed in reports prepared by shorthand writers’ of public speeches as ‘original literary’ works. The speeches were made by the Earl of Rosebery in public when reporters were present. The reporters made notes in shorthand, transcribed them, corrected, revised and punctuated them and published them in newspapers as verbatim reports of the speeches. A speech and a report of a speech are two different things. Lord Roseberry was the author of his speeches. The shorthand writers were the authors of their reports of his speeches. They spent effort, skill and time in writing up their reports of speeches that they themselves had not written. Even though the reporters had intended only to reproduce the speeches as accurately as they could, the works they prepared remained original works. This is an example of sweat of the Brow Doctrine.

Rule: The creator of a copyrighted work, even if it is completely unoriginal, is entitled to have his effort and expense protected, and no one else may use such a work without permission, but must instead recreate the work by independent research or effort.

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Citation –[1964] 1 W.L.R. 273

Facts: Since 1951 Williams (respondents), who were well-known bookmakers, had sent their customers each week fixed odds football betting coupons arranged in a certain general form. In 1959 Ladbroke (appellants), who were also bookmakers, started to send out coupons closely resembling the respondents. It appeared that the respondents had not altered the general form of their coupon since 1951. A coupon was a sheet of paper on which’ were printed several lists of forthcoming matches. The respondents’ coupon contained 16 lists, each with an appropriate name. The appellants’ coupon contained 15 lists. The lists offered by the appellants were almost identical with those offered by the respondents in their corresponding lists. What the appellants adopted from the respondents were the types of wagers and to a large extent the arrangement and the heading. The only differences were that the appellants devised new headings and they worked out for themselves the different odds offered in respect of the various kinds of bets which, accordingly, they did not copy. And it was impossible to copy the selections of matches: the selections must be from the matches to take place in the following week, so there would not be time for one bookmaker to copy from .the coupon of another matter which alters every week. The coupons of some 20 other firms in the business were produced at the trial, and, while they have a general similarity, they vary very much in the nature of their lists and the variety of bets offered in respect of many of the lists. It is not disputed that a vast amount of skill, judgment, experience and work has gone into building up the respondents’ coupon.

Procedural History: Judgment of Lloyd-Jacob J. given on June 26, 1962, held (inter alia) that the respondents’ claim to copyright in their fixed odds football coupon or coupons failed on a point of law but adjudged that the respondents should recover one half of their agreed or taxed costs. The Court of Appeal held that the respondents were entitled to copyright and granted them an injunction and awarded the respondents the sum of 40s. as damages. This case is an appeal to the order from The Court of Appeals.
Issues:
1) Whether or to what extent copyright attaches to these coupons? In whole or in part?
2) If the coupons are subject to copyright, has enough copying been done to amount to infringement and whether it was proper to look at the several parts of the work separately?

Judgment: Copyright Act is not concerned with the “originality of ideas”, but with the expression of thought, and, in the case of ‘ literary work, with the expression of thought in print or writing. The originality which is required relates to “the expression of the thought”. As regards compilation, originality is a matter of degree depending on the amount of skill, judgment or labour that has been involved in making the compilation. The precise amount of knowledge, labour, judgment or literary skill or taste which the author must bestow in order to acquire copyright must in each case be very much a question of degree. Rough practical test is that “what is worth copying is prima facie worth protecting”. When all the hard work has been done in deciding upon the wagers to be offered, there still remains the further distinct task, requiring considerable skill, labour and judgment (though of a different kind) in the way in which the chosen wagers are expressed and presented to the eye of the customer. The extent to which the appellants copied from the respondents’ coupon appears to amount to be a very substantial part of the coupon both in quantity and quality. Therefore, there has been an infringement in this case.

Conclusion:This case is important for a better understanding of copyright because it establishes that for a work to be protected under copyright its expression must be original. In order to determine originality you must see the facts of the case and determine if any skill, labour and judgment was used to make the work, or any part of the work. If so, the whole work will be copyright protected and it is no defence to claim that you only copied the parts that didn’t require skill or judgement. Here, respondents’ coupon was a compilation and so an original literary work, the subject of copyright and appellants had reproduced a substantial part of it, therefore breached.

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Citation – (2008) 1 SCC 1
Fact:Eastern Book Company A (1) and Eastern Publishers Pvt. A (2) are the Appellant (A) who are into publishing law books. The appellant publish law report containing Supreme Court cases by the name of “Supreme Court Cases (SCC)”. The case are procured from the register of the Supreme Court. The judgement are copy edited and several inputs such as font, paragraphing are made so as to make it user friendly. Along with the changes in the judgement, it also has head notes and foot notes which are prepared by the A (3) Surendra Malik. The Respondents(R) have created a software which is published on a CD ROM by the name of Grand Pix and The Law and the R’s have copied the whole module from the SCC on to the CD ROM.

Procedural History: EBC moved to the court before the single bench judge of the Delhi High Court claiming for temporary injunction as the R’s has constituted infringement by copying the copy edited version of the judgement prepared by EBC. The Single Judge Bench did not grant injunction and held that the edited judgement was not copyright and hence there is no infringement. The R conceded that the A had a copyright over the headnote and the footnote and hence agrees to not copy them. Aggrieved by the decision the A moved to Division Bench of the Delhi High Court, the court also didn’t grant them temporary injunction and allowed them to sell the CD ROM and held that by making some changed the original judgement it does not change the characteristic of the judgement and hence it doesn’t constitute as original work. The court didn’t accept the A case and hence forth the present decree lie.

Laws Involved: Sections 13, 14 and 52(1)(iv)(q), Copyright Act, 1957

Issues:
1)What shall be the standard of originality in a derivative work to get copyright protection and what requirement need to be there for its fulfilment?
2) Whether the whole copy-edited version of the judgement will be entitled for copyright or only entitled to some of the inputs made in the judgement?

Holding:The court gave the decision in the favour of A’s. The court held that for a derivative work to have copyright protection it should show that the derivative work should be more than a just mere copy of the original work and it should have authors own independent skill, labour and capital. The court stated that copyright has nothing to do with literary merit of the work. The court just need to evaluate whether the skill employed is not of trivial or negligible but substantial. The court also held that the R’s should not copy the paragraphs made by the A for its internal referencing and nor should the R’s use the view of the judges regarding their view as to whether they have a dissenting or concurring in the Case.

Rationale:The court came to this conclusion after taking into account whether the derivative work is original work of the author and whether he has spent independent skill, labour and judgement in preparing it and that it is just not a mere copy of the original work. Secondly the judges have also taken into account that the changes made by the author in the derivative work are of substantial work and is not of trivial nature. Thirdly the judges have applied the principal of “Sweat of the brow” which means that the author deserves to be reward for the skill. Fourthly the court referred to the principle of minimal degree of creativity that states that there should be a minimal level of creativity in the derivative work in deciding the issue whether the copy edited judgement would qualify as original work or not.

Rule:It is derived from this case that even in a derivative work if the author has applied his own skill, labour and judgement then it will be entitled to copyright protection. The court in such cases need not look in the literary merit of the work but just that the some skill is involved. In case where the copy edited version is created then the changed that require a skill or judgement should be considered original work and should be entitled to copyright protection.

Conclusion:The Court did grant interim relief to the plaintiff-appellants by directing that though the respondent shall be entitled to sell their CD-ROMS with the text of the judgments of the Supreme Court along with their own head notes, editorial notes. It was further directed by the courts that the respondents shall not use the paragraphs made by the appellants in their copyedited version for internal references and their editor’s judgment regarding the opinions expressed by the Judges by using phrases like concurring’, ‘partly dissenting’, etc. on the basis of reported judgments in SCC. The judgment of the High Court was modified to the extent that in addition to the interim relief already granted by the High Court, the above-mentioned additional relief to the appellants was also granted.

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Citation – 45 F.2d 119 (2d Cir. 1930)

Facts/Procedural History: Anne Nichols (plaintiff) wrote a play called the “Abie’s Irish Rose.” The play was about an Irish father and a Jewish father whose children married each other in secret because they feared that their fathers would not have approved. The underlying theme of the play was the hatred between the fathers for each other and for the relationship of their children. The animosity between the fathers was based on their religious differences. Eventually, the children had their own children and as a result, the fathers reconciled. Much humor and comedy was followed in the play. After the play had exhausted its Broadway debut, Universal Pictures Corporation (Universal) (the defendant) made a movie called “The Cohens and the Kellys.” The movie was also based on an Irish Catholic and a Jewish family whose children wed. The fathers similarly did not get along, but not due to their differing religions, more on account of the general animosity of the Jewish father, which is to say that only one of the fathers held the story grudge. Also similarly, the children had their own child, and the fathers eventually reconciled. However, in the movie, the grandchild had nothing to do with the reconciliation. The main themes throughout “The Cohens and the Kellys” were family finances and the relationship between wealth, generosity and how honesty brings families together. Religion did not play a role. The plaintiff asserted copyright infringement in the lawsuit based on the premise that defendant used similar story elements. The district court found in favor of Universal. Nichols appealed.

Issue: Whether the defendant’s film (The Cohens and the Kellys) had infringed the plaintiff’s copyright in the play (Abie’s Irish Rose) by using similar elements?

Holding/Judgment: The Appellate Court noted that a work could be a copy of an earlier work even if it didn’t copy the literal text, but the two works needed to be substantially similar. The Court also found that although the play and the movie shared a number of the similar themes and general plots, the similarities general things, universal concepts, and stereotypical characters (stock characters). There was nothing unique to Nichols’ play that was found in Universal’s movie.

Rationale: The court based its decisions on the Scenes å faire doctrine which reasons that copyright does not extent to incidents, character, or settings that are as a practical matter, indispensable or at least industry standard in the behavior/common practice of a given topic. So for example, all police shows are going to have the same stereotypical characters, but those similar characters are no copyright violations.

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Citation – (1978) 4 SCC 118: AIR 1978 SC 1613

Facts: The Plaintiff (P) wrote a script for a play of the name “Hum Hindustani” in 1953 and it was enacted in New Delhi theatres in that year. The play was based on the concept of Provincialism, and was well received so P started considering the possibility of filming it. The Defendant (D) approached P in 1954 after an eminent scriptwriter told him about the play when D was considering making a movie on the topic of Provincialism. On hearing the script D told P that he would inform P of his decision upon return to Mumbai. In 1955 D announced the production of a movie called “New Delhi”, after watching the movie, one of the artists in the play told P that it was similar to the play. P wrote to D about his concerns that the movie was a copy of the play, and D told P that the movie was on the topic of Provincialism but it was not based on the play as the play in itself wasn’t enough for a movie and the characters and story treatment, etc. was very different from the play. P read newspaper comments about the movie and then later watched the movie himself and felt that the movie was entirely based on the play. He found that the movie had one character with the same name as in his play. P therefore filed a suit of the infringement of his copyrights.

Procedural history: The Delhi High Court held that the similarities between the movie and the play were insignificant and although both the copyrightable subject matters were based on provincialism, the stories and portrayal in the movie were completely different from the play. Dissatisfied with the holding, P appealed to the Supreme Court.

Issues:
1. Whether the cinematographic film was colourable imitation/ substantial or material copy of the play?
2. Whether a name of a person in a copyrightable subject matter can also be copyrighted?

Holding:
1. The Supreme Court held that the movie although based on the same concept, wasn’t a copy of the play. Therefore, there was no copyright infringement by D.
2. The court also held that the name “Subramaniam” which appeared in both the movie and the play wasn’t copyrightable; therefore the use of the name wouldn’t result in copyright infringement.

Rationale: The similarities and coincidences as observed by the court were insignificant and were not sufficient to raise an inference of colourable imitation. The play relied heavily on the idea of provincialism; it did not touch the other aspects of “caste” and “sati” that the movie had explored. The Supreme Court also observed that the three aspects in the film were completely integral to the movie and could not be divorced from each other without affecting the beauty and the continuity of the script. The story in the movie also went beyond the plot represented in the play. The dissimilarities in the between the movie and the play were so material that it was not possible to say that P’s copyright had been infringed.

Rule: The Supreme Court laid down 7 rules, after considering the precedents, to determine if there was a copyright infringement:
1. “There can be no copyright in an idea, subject matter, themes, plots or historical or legendary facts and violation of the copyright in such cases is confined to the form, manner and arrangement and expression of the idea by the author of the copyright work.”
2. “In order to be actionable the copy must be a substantial and material one which at once leads to the conclusion that the defendant is guilty of an act of piracy.”
3. “Seeing the reader, spectator or the viewer after having read or seen both the works is clearly of the opinion and gets an unmistakable impression that the subsequent work appears to be a copy of the original.” If the answer is in the positive then it can be concluded that there is a copyright infringement.
4. “Where the theme is the same but is presented and treated differently so that the subsequent work becomes a completely new work, no question of violation of copyright arises.”
5. “If there are also material and broad dissimilarities which negative the intention to copy the original and the coincidences appearing in the two works are clearly incidental no infringement of the copyright comes into existence.”
6. “It must be proved by clear and cogent evidence after applying the various tests laid down by the case laws.”
7. “Although unlike a stage play a film has a much broader prospective, a wider field and a bigger background where the defendants can by introducing a variety of incidents give a colour and complexion different from the manner in which the copyrighted work has expressed the idea. But if the viewer gets a totality of impression that the film is by and large a copy of the original play, violation of the copyright may be said to be proved.”

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Facts: Charles Selden (P), obtained a copyright of the book “Selden’s Condensed Ledger or Book-Keeping Simplified” in 1859 and this book explained a unique and improved system of book-keeping with a distinct arrangement of columns and headings. In 1867, Baker, the defendant, produced another book using a similar system but the arrangement of columns and their headings were different.

Procedural History: A suit was filed against the D for infringing copyrights of Selden’s book as Baker had used a system that resembled the one used in Selden’s work and the lower court ruled in favor of P. The D then appealed to the US Supreme Court.
Issues:
1)Did the D infringe the copyright?
2) Did Selden have an exclusive right to the use of the system explained in his book?
Holding:
1)No, the D did not infringe copyright of the book “Selden’s Condensed Ledger or BookKeeping Simplified”.
2) No, Selden did not have an exclusive right to the use of the system explained in his book.
Rationale: The court reasoned that an author can explain the truths of a science or the methods of an art through his book and can obtain a copyright for his work but this copyright is limited to the expression of the method or system and does not extend to the idea or the system itself. If the author wants to protect the system/idea he will have to be granted a patent for his method/idea and protecting an idea under the copyright law would amount to fraud on the public.
Copyright protects the book as a whole and the expression of an idea through that book. The very object of publishing a book is to impart some knowledge to the public and if people were made liable of infringement each time they used the idea described in the book, it would defeat the purpose. Copyright is mainly concerned with publishing and selling rights and does not give the author exclusive rights over an idea alone.
In this case, Baker was not infringing the copyrights of Selden’s book as he borrowed the idea from Selden’s book but expressed it in a different manner by ensuring that the columns and headings to those columns were different.

Rule: Idea-Expression Dichotomy: A copyright can be obtained only over a particular expression of an idea, it does not protect the idea that underlies that expression and this is what limits copyrights and differentiates it from patents. An idea/art/method can be patented whereas the expression of an idea/art/method can be copyrighted.

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Citation – 499 U.S. 340, Supreme Court of the United States of America

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Facts: Rural Telephone Service Company is a certified telephonic service provider operating in Kansas. Owing to a state regulation it is subjected to print and issue a telephone directory consisting information about individual subscriber in the white pages and advertisements of subscribers on the yellow pages. Feist Publication is a publication company which specializes in area-wide telephone directories. Unlike a typical directory, which covers a specific area, Feist publishes a directory which covers a much larger geographical area. Rural Inc. is the sole provider of telephone services in that particular area in Kansas, it obtains the information for the directory quite easily. However, Feist just being a publication house lacks independent access to any subscriber information therefore approaches individual telephone service provider companies for information. 10 out of 11 companies shared the information such that Feist could publish it in their respective directory but Rural Inc. trying to attract the subscribers in its area for yellow page advertisements did not. Despite being denied the information of the subscribers in that particular region of Kansas, Feist Publication went ahead and used the white pages listing of Rural’s directory without their consent but added additional information such as address which was not present in the Rural’s version. Due to the presence of 4 fictitious listings that Rural had inserted into its directory to detect copying, Feist was sued by them for copyright infringement.
Procedural History: Rural Inc. sued Feist Publication for copyright infringement in the District Court for the District of Kansas stating that Feist’s employees were obliged to travel door-to door or conduct a telephone survey to discover the information which they had copied. District Court granted a summary judgment to Rural, explaining that “courts have consistently held that telephone directories are copyrightable”. An appeal was preferred from the judgment to the Court of Appeals for the Tenth Circuit which affirmed the decision of the District Court. The Supreme Court granted the writ of certiorari to finally adjudicate upon the matter.
Laws involved: *US COPYRIGHT LAWS* § 102 (a) and (b) of the Copyrights Act, 1976 which states that “In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated or embodied in such work.”

Section 101 of the Copyrights Act, 1976 provides that a copyright is “a work formed by the collection and assembling of preexisting materials or of data that are selected, coordinated, or arranged in such a way that the resulting work as a whole constitutes an orginal work of authorship”

Issues: Whether the copyright in Rural’s directory protects the names, towns, and telephone numbers copied by Feist. Analysis: The Supreme Court after looking at the Copyrights Act emphasized that the statute identifies three distinct elements and requires each to be met for a work to qualify as a copyrightable compilation: (1) the collection and assembly of pre-existing materials, facts, or data; (2) the selection, coordination, or arrangement of those materials, and (3) the creation, by virtue of the particular selection, coordination, or arrangement, as an “original” work of authorship. Quoting the case of Mill Music¸469 U.S., at 164, the Supreme Court states that the “this tripartite conjunctive structure is self-evident, and should be assumed to ‘accurately express the legislative purpose.’ ” In the field of Copyright law, facts are not copyrightable as they are a product of mere discovery but the compilation thereof in different arrangements would be copyrightable as it satisfies the originality requirement (“an original work of authorship”). Therefore, in determining whether a fact-based work in an original work of authorship, it must be tested on the manner in which the collected facts have been selected, coordinated and arranged. For every arrangement of facts to past the muster, it must be selected, coordinated and arranged “in such a way” as to render the work as a whole original. The raw data which Rural had certainly did not satisfy the originality requirement. Rural Inc. may have been the first to discover and report the names, towns and telephone numbers of tis subscribers, but this data does not “owe its origin” to Rural. Rather, these bits of information are un-copyrightable facts; they existed before Rural Inc. reported them and would have continued to exist if Rural Inc. had never published a telephonic directory. Also, Rural did not truly “select” to publish the names and telephone numbers of its subscribers; rather it was required to do so by the Kansas Corporation Commissions as part of its monopoly franchise. Accordingly, it can be presumed that the selection was dictated by state law, not by Rural. Conclusion: The names, towns and telephones numbers copied by Feist were not original to Rural and therefore were not protected by the copyright in Rural’s combined white and yellow pages directory. As a constitutional matter, copyright protects only those constituent elements of a work that possess more than a de minimis quantum of creativity. The alphabetic arrangement of subscriber’s information does not afford protection from copying as it utterly lacks originality. Therefore, Feist listings cannot constitute infringement.

Decision: The decision of the Court of Appeals is Reversed.

Ratio: For a piece of work to get protection under copyrights law, the following conditions must be met –
a) the collection and assembly of pre-existing materials, facts, or data;
b) the selection, coordination, or arrangement of those materials, and
c) the creation, by virtue of the particular selection, coordination, or arrangement, as an “original” work of authorship

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